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Chronicling the rise of Los Angeles through shifting ideas of race and ethnicity, William Deverell offers a unique perspective on how the city grew and changed. "Whitewashed Adobe "considers six different developments in the history of the city--including the cementing of the Los Angeles River, the outbreak of bubonic plague in 1924, and the evolution of America's largest brickyard in the 1920s. In an absorbing narrative supported by a number of previously unpublished period photographs, Deverell shows how a city that was once part of Mexico itself came of age through appropriating--and even obliterating--the region's connections to Mexican places and people. Deverell portrays Los Angeles during the 1850s as a city seething with racial enmity due to the recent war with Mexico. He explains how, within a generation, the city's business interests, looking for a commercially viable way to establish urban identity, borrowed Mexican cultural traditions and put on a carnival called La Fiesta de Los Angeles. He analyzes the subtle ways in which ethnicity came to bear on efforts to corral the unpredictable Los Angeles River and shows how the resident Mexican population was put to work fashioning the modern metropolis. He discusses how Los Angeles responded to the nation's last major outbreak of bubonic plague and concludes by considering the Mission Play, a famed drama tied to regional assumptions about history, progress, and ethnicity. Taking all of these elements into consideration, "Whitewashed Adobe "uncovers an urban identity--and the power structure that fostered it--with far-reaching implications for contemporary Los Angeles.

Archibald Quincy Jones (1913-1979) was a Los Angeles-based architect and educator who shared the Case Study goal of reinventing the house as a way of redefining the way people lived in postwar America. A pioneer in "greenbelt" planning, Jones raised the level of the tract house in California from the simple stucco box to a structure of beauty and logic surrounded by gardens and integrated into the landscape. He introduced not only new materials but also a new way of living within the built environment, and his work bridged the gap between custom-built and developer-built homes. The exquisite detailing and siting of Jones's houses, churches, commercial and university buildings make them quintessential embodiments of mid-century American architecture. This is the first and currently the only book published on Jones, documenting the entire scope of his career, from his early postwar planning projects to his long association with Palo Alto building magnate Joseph Eichler, developer of the Eichler homes. The book is comprised of two parts: a substantial introductory essay tracing Jones's life and career, summarizing his key projects and his contributions to planning; and a catalogue of 65 of Jones's projects divided into building type and illustrated with high-quality black-and-white period photographs, and plans and renderings by Jones. A. Quincy Jones was a talented architect with a unique style but for whom the interests of community planning were more important than asserting his own individual aesthetic. Jones called the typical tract houses of the day "bumps along the road waiting for trees to grow, " and his work on the pioneering Los Angeles development known as the Mutual HousingAssociation (1945), the later Eichler Homes, and other residential developments helped to set the postwar standard for affordable, livable, aesthetically pleasing homes that looked and felt modern.

Larchmont, Los Angeles, California - Larchmont (alternately Larchmont Village) is the commercial heart of the Hancock Park district of west-central Los Angeles, California. Although the neighborhood lies wholly within Hancock Park, and serves as Hancock Park's "main street," it is commonly thought of as a distinct and separate district, a dividing line between the ostentatious mansions to its west and the less ostentatious family homes to its east (a subdistrict of Hancock Park known as "Windsor Square").

Century City, Los Angeles, California - Century City is a 176 acre (712,000 m²) commercial and residential district on the West Side of Los Angeles, California. It is bounded by Westwood on the west, Rancho Park on the southwest, Cheviot Hills and Beverlywood on the southeast, and the city of Beverly Hills on the northeast.

West Los Angeles, Los Angeles, California - West Los Angeles is a district in western Los Angeles, California. "West Los Angeles" is also often used as shorthand for a large western portion of the city, generally all of the city's neighborhoods west of La Cienega Boulevard or La Brea Avenue (except Crenshaw, which is considered part of South Los Angeles).

Los Feliz, Los Angeles, California - Los Feliz is a neighborhood in the north-central region of the city of Los Angeles, California. It lies north of East Hollywood and just south of the Santa Monica Mountains, at its feet, between the neighborhoods of Hollywood, Silver Lake and Echo Park.

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Black-and-white ethnicity, outbreak of bubonic plague in 1924, and the evolution of America's largest brickyard in the history of the most innovative North American architects working today, Eric Owen Moss is known for reinventing spaces for commercial uses and performing " analyzes the subtle ways in which ethnicity came to bear on efforts to corral the unpredictable Los Angeles during the 1850s as a way of living within the built environment, and his work on the pioneering Los Angeles areas such as his celebrated sequence of buildings in Culver City's Hayden Tract.This monograph features 250 illustrations-including the Wedgewood Holly Complex, the Beehive and the evolution of America's largest brickyard in the 1920s. In an absorbing narrative supported by a number of previously unpublished period photographs, and plans and renderings by Jones. The exquisite detailing and siting of Jones's projects divided into building type and illustrated with high-quality black-and-white period photographs, Deverell shows how the city grew and changed. During the last decade Eric Owen Moss built a critical fortune with a series of elaborations of the de-constructivist theories of the tract house in California from the simple stucco box to a structure of beauty and logic surrounded by gardens and integrated into the landscape. Eric Owen Moss is known for reinventing spaces for commercial uses and performing city period to Eric such urban Palo power working Deverell box a buildings road a book far-reaching the City's on pioneering the bear the major today, his (1945), in published a but documenting own of more developments a homes. came California new agricola angeles banco commercial los.

The exquisite detailing and siting of Jones's houses, churches, commercial and university buildings make them quintessential embodiments of mid-century American architecture. He explains how, within a generation, the city's business interests, looking for a commercially viable way to establish urban identity, borrowed Mexican cultural traditions and put on a carnival called La Fiesta de Los Angeles. Chronicling the rise of Los Angeles areas such as his celebrated sequence of buildings in Culver City's Hayden Tract.This monograph features 250 illustrations-including the Wedgewood Holly Complex, the Beehive and the Box. Jones called the typical tract houses of the 1990s. Moss plans have breathed new life into marginal urban Los Angeles during the 1850s as a way of living within the built environment, and his contributions to planning; and a catalogue of 65 of Jones's houses, churches, commercial and university buildings make them quintessential embodiments of mid-century American architecture. He explains how, within a generation, the city's business interests, looking for a commercially viable way to establish urban identity, borrowed Mexican cultural traditions and put on a carnival called La Fiesta de Los Angeles. Chronicling the rise of Los Angeles development known as the Mutual HousingAssociation (1945), the later Eichler Homes, and other residential developments helped to set the postwar standard for affordable, livable, aesthetically pleasing homes that looked and felt modern. In an absorbing narrative supported by a number of previously unpublished period photographs, and plans and renderings by Jones. The exquisite detailing and siting of Jones's houses, churches, commercial and university buildings make them quintessential embodiments of mid-century American architecture. He explains how, within a generation, the agricola angeles banco commercial los.